I strive to help the sound designers and composers make the best interactive soundscapes and music with all the new technologies possible, so that the players can delightfully immerse themselfs in the game!
You can find a bunch of my cool TTRPGs, Game Jam games and more on my itch.io page here:
Contact me: LinkedIn
Experience
Senior Audio Programmer @ Playground Games. September 2021 - Current
Fable, launcing on Xbox and Windows in 2026
- Responsible for all the Audio Tech in a Custom Engine.
Audio Programmer @ AstralShift Pro. September 2020 - September 2021
Little Goody Two Shoes, publised by Square Enix Collective
- Stood up various audio systems using FMOD and Unity
- Helped sound design for the prototypes to publishers
Link to Steam here: https://store.steampowered.com/app/1812370/Little_Goody_Two_Shoes/
Junior Audio Programmer @ PlayMagic. September 2019 - September 2020
Remake of XIII, released for PS4, Xbox One, Nintendo Switch and PC
- Stood up various audio systems using FMOD and Unity
- Helped sound design for the prototypes to publishers
You can find more details about the systems developed here: XIII Remake
Skills
Programming Languages
- C++
- C#
- Python
- Powershell
Middleware/Engines
- Custom Engines
- Unity
- Unreal
- Wwise
- Fmod Studio
- Juce
Source Control
- Git
- Perforce
Miscellaneous Projects
- Naite Tin Whistle VST in C++ and Juce
- XIII Remake - Play Magic
- Bore - University Project
- Woofice Chair! - Ludum Dare 47
- Wizsnooks - Ludum Dare 41 Game Jam
- Whipped And Steamy: Cosplay Café
- On-Air Graphics Creation Platform using Unity for Real-time Rendering
- Jazzy Beats - Ludum Dare 40 Game Jam
- ISEP University Projects
- Game AI Project - Dynamic Audio
- Colossorama: The Champions Update
- Shot In The Dark - Invictus Game Jam
- League Of Legends Portugal
- Change material properties at Runtime - UE4 C++ Mini Tutorial
Testimonials
When Robin started he quickly integrated himself in the company and managed to get up to speed in a short amount of time. His interest in audio programming helped tremendously in improving the inter-department workflows between programming and audio production. His other tasks on creating gameplay features were also done proficiently and with the expected timeframe in mind.
He frequently shows initiative when problems arose and gave good input on how to solve them. Robin has shown strong soft skills as he frequently helped programmers and non-programmers alike from very different backgrounds and understanding of programming with the issues they have encountered during their work.
-- Long Duc Nguyen, Group Lead Programmer at PlayMagic
Robin is a very good audio programmer I worked with on XIII Remake. We definitely built together with the audio implementation of the game. He demonstrates a good understanding of the audio perspective. He is all the time dedicated to giving the best audio quality result in audio programming. He is self-motivated to reach the level we need. As Audio designer I strongly recommend him on your next projects.
-- Keveen Simonin, Audio Designer at PlayMagic
As a student, in his first co-working experience, Robin exceled all the expctations as he showed to not only be able to meet project deadlines, but also looking to involve himself in other projects of the company, based on parallel discussions he had with the rest of the co-workers, as the entire team worked in an open-space environment. This showed tremendous initiative and eagerness to learn and improve his hard and soft skills.
The challenge he had was a very demanding one and he showed enormous ability to balance deliverables and an unusual early capacity to make tough decisions regarding what the final product can be ragarding the time he had to develop it. In terms of hard skills, Robins is very organized, both coding and documenting.
-- João Carvalho, CEO at GOATPixel